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Italian artist Salvatore Garau has just sold an invisible sculpture for $18,000 USD. The Io Sono (I am) sculpture, as the artist explains, exists but just not in material form, and is actually more like a “vacuum.”

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[Read more…] about 20 Accidental Renaissance Pics That Are Better Than Art History

Sarah Biffen was born in 1784 to a family of farmers in East Quantoxhead, Somerset, with no arms and undeveloped legs. Despite her handicap, Biffen learned to read, and later was able to write using her mouth.
Around the age of 13, her family apprenticed her to a man named Emmanuel Dukes, who exhibited her in fairs and sideshows throughout England.
At some point during the time, she learnt to paint holding the paint-brush in her mouth. During this period, she held exhibitions, sold her paintings and autographs, and took admission fees to let others see her sew, paint and draw.
She drew landscapes or painted portrait miniatures on ivory with contemporaries praising her skill. Her miniatures were sold for three guineas each, however, Biffen may have received as little as £5 a year while she was with Dukes.

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There was a king in Thule,
Was faithful till the grave,
To whom his mistress, dying,
A golden goblet gave.
Nought was to him more precious;
He drained it at every bout;
His eyes with tears ran over,
As oft as he drank thereout.
When came his time of dying,
The towns in his land he told,
Nought else to his heir denying
Except the goblet of gold.
He sat at the royal banquet
With his knights of high degree,
In the lofty hall of his father
In the castle by the sea.
There stood the old carouser,
And drank the last life-glow;
And hurled the hallowed goblet
Into the tide below.
He saw it plunging and filling,
And sinking deep in the sea:
Then fell his eyelids for ever,
And never more drank he!

The thing to remember about contemporary art is that it doesn’t exist in a vacuum. Rothko wasn’t just saying “isn’t this pretty?” any more than Hemingway was just writing about an old man and the sea. Contemporary art is in a conversation with every painting that came before it. But since that conversation is long, entirely visual and not well-publicized (articles that mention how much a piece was sold for never talk about why), it can be really difficult to understand what an artist is saying just from looking at it.
[Read more…] about How Did This Piece of Art Sell For Over $86 Million Dollars?
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