Carl Frithjof Smith, After the Communion (1892)
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In the pantheon of modern art, Jean-Michel Basquiat emerges as a figure both enigmatic and profoundly influential. His ascent from the graffiti-laden streets of New York to the hallowed halls of international galleries is a narrative of raw talent, unbridled expression, and a complex interplay of cultural forces. As an art historian, one cannot help but be captivated by the meteoric rise and enduring impact of Basquiat on the art world and beyond.
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Born from a collaboration with Pablo Picasso and Georges Braque in the early 20th century, Cubism wasn’t just a new style; it was a rupture, a complete reimagining of how we represent the world around us. Gone were the harmonious compositions and single viewpoints of Renaissance masters. Instead, Picasso and Braque fragmented their subjects, shattering them into multiple facets and geometric planes.
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